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John William Waterhouse
La Fileuse (mk41)
1874
Panel
12 1/2x10in
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John William Waterhouse
After the Dance (mk41)
1876
30x50in
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John William Waterhouse
Sick Child brought into the Temple of Aesculapius (mk41)
1877
67x82in
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John William Waterhouse
Diogenes (mk41)
1882
82x53in
Sydney,Art Gallery of New South Wales
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John William Waterhouse
The Remorse of Nero after the Murder of his Mother (mk41)
1878
37x66in
Courtesy Sotheby's
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John William Waterhouse
St Eulalia (mk41)
1885
74 1/4x46 1/4in
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John William Waterhouse
Mariamne leaving the Judgement Seat of Herod (mk41)
1887
102x71in
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John William Waterhouse
Ulysses and the Sirens (mk41)
1891
79x39in
Melbourne,National Gallery of Victoria
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John William Waterhouse
Circe offering the Cup to Ulysses (mk41)
58 1/2x36 1/4in
Oldham Art Galllery
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John William Waterhouse
A Naiad (mk41)
1893
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John William Waterhouse
The Lady of Shalott (mk41)
1894
56x34in
Leeds,City Art Gallery
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John William Waterhouse
Ophelia (mk41)
1894
49x29in
Courtesy Chrisie's
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John William Waterhouse
Hylas and the Nymphs (mk41)
1896
38 1/2x64in
Manchester City Art Gallery
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John William Waterhouse
Ariadne (mk41)
1898
36X59 1/2in
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John William Waterhouse
Destiny (mk41)
1900
27x21 1/2in
Burnley,Towneley Hall Art Gallery
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John William Waterhouse
Detail from Ariadne (Mk41)
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John William Waterhouse
Study for The Awakening of Adonis (mk41)
c.1900
13 1/2x26 1/2in
Courtesy Sotheby's
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John William Waterhouse
Miss Margaret Henderson (mk41)
1900
49 3/4x38 3/4in
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John William Waterhouse
Mrs A.P.Henderson (mk41)
1908
30x25in
Courtesy Sotheby's
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John William Waterhouse
A Meraid (mk41)
1901
38 1/2x26 1/4
London,Royal Academy of Arts
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| John William Waterhouse
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English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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